Wednesday, May 22, 2013

Episode 21: Doctor Muscles Journal One



The Doctor is in.
Chris, Derek, Dylan and Keith are back! This time they descend into madness to bring you a tale of fist-punching exploitation in the depths of Hell! This is "Doctor Muscles: Journal One" by Austin Tinius, Adam Salinas and VARIOUS artists. Seriously, there's five issues in this book and at least six artists are in here. There might be more. We can't be sure. Every time we turned a page it seemed like there was another artist displaying their European artistic chops.
We had a lot of fun discussing this one. If you enjoy Heavy Metal magazine and wish there were more books like it in the United Sates, then look no further! It's a great place to see some very talented European artists flex their artistic muscles... Couldn't help myself.
Pick up a copy of Journal One and see the madness that we speak of. Also, Journal Two is now available from Bogus Publishing at BogusBooks.com





This episode has been graciously sponsored by the wonderful people at 01 Publishing.
Be sure and check out their titles Crazy Mary and Utopiates because we will be talking to their creators in next month's episode.

If you order your copy of Utopiates from Discount Comic Book Service this month, you will receive a limited edition art poster. And if you are one of the first twenty, you will receive an original Utopiates page! But you have to hurry and get your order in by the end of May.


And another big thank you to The Wednesday Warriors for their donation to our show. Check out their Fight For Comics Podcast and get another perspective on the comic book battlefield.












Next Episode: Kabuki Episode B: Metamorphosis

Friday, March 8, 2013

Dylan's Sequential Theology 03.06.2013

I'm back again for all of your weekend comic book shopping needs. This time around, we have samurais, witches, and nightmarish creatures that will make you scream colors! Dark Horse is publishing a lot of great books right now, but a lot of them are also ending this month. I just hope their next batch of titles will be as entertaining as these have been.

Ask for these titles at your local comic book store, or online from Dark Horse's official site.

47 Ronin #3
Art by Stan Sakai and Adapted by Mike Richardson
I am enjoying the heck out of this little book. Stan Sakai's characters are simplified,  but his panels have deep compositions which are enriched with lush natural details. Whether intended or not, there seems to be a kinship to Herge's Tintin that makes this book feel a little like "Tintin in Edo Era Japan." And much like Herge, Sakai has done his homework. The level of care he took to recreate this world is truly impressive. 
But if you are looking for an interpretation that strips the story of the 47 Ronin of all of its embellishments and tries to be a real historical account, look elsewhere. Stan Sakai definitely prefers the drama of  fiction. He and Mike Richardson are trying to revel in the legend more than the history. But when there is evidence of place and it informs the story, they really try their best to get them right. From the clothing, to the clan mons, not much is modernized or inaccurate if they could find historical reference.
If you have never read the tale of the 47 Ronin before, this is an excellent one to start with.

Willow-Wonderland #5
Story by Christos Gage & Jeff Parker with Art by Brian Ching
The final issue of the Willow mini-series, and I am a little disappointed. It wasn't bad, but the idea of an ongoing Willow series made the early issues much more powerful. As I had mentioned before, I was looking forward to Willow dimension hopping between different realms of genre fiction. This is something wholly different. Not that it's bad, it certainly develops the character, and ends quite a few threads that have been running in her storyline for quite some time. Jeff and Christos certainly have character voices down, and nothing feels out of place, it just comes to a very abrupt ending after opening so many doors and sharing so many possibilities. Just stop having good ideas, Jeff Parker.
The real joy of this series is Brian Ching's art. It feels like everyone is made out of quicksilver. Characters' features are not always proportional, and they are constantly twisting in the wind like hair on a Steve McNiven character, but it still somehow fits comfortably in the Buffy-verse "house style" while feeling like something from a completely different company all together. I look forward to see the next book he works on.
Again, I can't help that this was different from what I expected, but there's a parallel dimension where Jeff Parker is writing a comic about Willow using magic to stop Captain Ahab from killing Moby Dick, and I await the technology to read it.

Colder #5
Story by Paul Tobin, Art by Juan Ferreyra

Remember back in January when I said I was going to talk about  "sharing my sudden disappointment at a particular series that has quickly become my favorite book on the stands?" Well, this is that book. 
If you're a fan of H. P. Lovecraft, or any classic horror writers that rely on psychological horror instead of gore, this book is definitely worth your time. Paul Tobin creates a terrifying world that is nestled between the cracks of our sanity, and creates a love story that doesn't make me cringe. I don't want to over-hype this book, but  I'm not done yet.
The real powerhouse in this series is Juan Ferreyra. Every twisted idea in Paul Tobin's head is designed so perfectly that you believe it could be real, while your mind reels at the possibility. The level of craft in his storytelling is easily on-par with Gabriel Rodriguez' work in the pages of Locke & Key. 
When it began, it had a lot of promise as an ongoing epic series "in the vein of Garth Ennis' Preacher" (as the marketing touted), but alas it is only a miniseries. When I made that last post I caught the "of 5" on the cover and my heart sank. If this book was canceled due to low readership, I can't help but feel personally responsible for not talking about this  book with every person I meet.
When the issues are collected, I can GUARANTEE we will be featuring it on the podcast.




That's it for me this week. Hope everyone is enjoying the episode archives. New episodes are on the horizon. And if you haven't checked out our store, we have some great CBotMP t-shirts and stickers thanks to all of our helpful Kickstarter backers.

And as always, if you disagree with anything I've said, then prove me wrong.

Wednesday, January 30, 2013

Dylan's Sequential Theology 01.30.2013

For those of you that are looking for another comic to fill out your weekly stack, I have returned with more reviews! I've read a lot of great books this week, but I'm just going to share three that really stood out for me.
As always, you can purchase these comics digitally by clicking on the title, or buy them at your local brick and mortar store. It's a good idea to find it now, so you don't feel supremely awkward when you head over there on Free Comic Book Day later this year.


Angel & Faith #18
Story by Christos Gage, Art by Rebekah Isaacs
I have certainly changed my opinion of this book since I first started reading it. "Angel & Faith" has quickly become my favorite in the Buffyverse. As soon as I put down an issue, I immediately want to marathon old seasons. It's nice to have a book that feels like a natural extension of the series, while still bringing something new to the table. 
Rebekah's art has grown on me. Her fight scenes are engaging, and her monsters are very well designed & eerily rendered. They aren't incredibly detailed with every tiny inked bit of sinew. There's a vague fright in the amount of skin they seem to have. Like so much razorblade horror wrapped up in a fleshy bag.  
It's full of the snappy-pop-dialogue the show is known for, without feeling like parody. And for anyone that liked Buffy but hated Buffy herself, then this is a series you might really enjoy. The Buffyverse does have a bit of a dense continuity these days, and the comics have added a lot of characters that may not be immediately familiar, but Christos Gage has done his time at Marvel and knows how to sell a character with a small economy of dialogue and a whole lot of action. 


The Shadow #9
Story by Victor Gischler, Art by Aaron Campbell

Victor Gischler continues to play with the limit of The Shadow's power, and shows him as much more fallible than he is often presented. I'm not entirely sold on the idea when it leads to melodramatic statements like, "their emotions... they're unknown to me... I must rely on their body language to tell me what they are feeling." But this is a character of theatrics and high-melodrama so it's not inexcusable.
He has certainly amped up the adventure angle that Garth Ennis brought to the forefront in his opening arc. The Shadow is usually much more street-level, but it seems to work quite well. I think it has something to do with the visual of the scarf billowing in the wind.
Aaron Campbell draws an excellent sequence highlighting his sadistic determination as he jumps between airplanes that is quite thrilling, even if at times it's a little muddy. But Aerial combat is a very difficult thing to pull off in a comic book, so I cut him a good deal of slack. While each issue has some small thing that makes me cringe, it's still a fun book that definitely delivers on action & adventure.



Star Wars: Agent of the Empire - Hard Targets #4 
Story by John Ostrander, Art by Davidé Fabbri & Wes Dzioba
This series surprised the heck out of me. It's set at a point in time where the Empire and the Old Republic are still trying to figure out if they can co-exist. The clone wars are over, but the rebellion is just beginning. 
It follows the story of one Imperial secret agent as he treads the line between doing what is right, and what is in the Empire's best interest (I'll give you a hint, he's a heroic protagonist).
I enjoy seeing that not everyone in the Empire is a generic British person who wants to kill all the Americans that want to separate from the Empire... er...
Anyway, Davidé's art is quite strong, and the velvety guache-like colors of Wes Dzioba makes this book a joy every month. I hope this book finds a way to live on after the Star Wars license reverts to Marvel, but its ultimate fate is anyone's guess.



That's it for me this week. Come back next time when I will be sharing my sudden disappointment at a particular series that has quickly become my favorite book on the stands.

And as always, if you disagree with me, then prove me wrong.